Abstract Monday #5

I had to take a little break from Abstract Monday last week because although I had started this piece, it just didn't have the depth I was hoping to get by the time midnight rolled around.

I chose the palette from a scene I see pretty regularly -- the busy street near my house -- the gray of the street, the new greens of early Spring, the red of a stoplight, the mauve color of the median, and the yellow stripe in the road.

I did a bunch of macro photography that week, inspired by the new spring buds and blossoms in various places, and so I decided to apply the palette to one of the photographs I took. I am enjoying doing this exercise on my tablet as I can take it with me and work on it without having to drag a bunch of supplies with me. The last two weeks were pretty busy and so the tablet came in very handy. I used the pen and watercolor tools in ArtRage for Android this time.

Abstract #5, Digital Art by Amy Lewark

Can you tell what gave me the inspiration for the line and shape?

Abstract Monday #4

This week, I wanted to make a more sincere effort at abstraction. A few weeks ago, I had selected a palette while sitting in a physical therapy waiting room. Perhaps had I applied that palette to the begonia leaves I painted last week, I would have ended up with an abstraction.

This week's color palette

We were lucky enough to have some time to explore one of the many natural areas in Northern Colorado this Wednesday, just before a cold front moved in. I actually painted at this natural area last summer during the Paint the Poudre Plein Air event, but didn't explore very much as we were under the time crunch of very warm weather. The area has a very diverse landscapes consisting of quite a few ponds and wetlands. Initially upon arriving, I was attracted to the dried rabbit brush and grasses. The water there is quite still and reflected the sky and the surrounding plant life almost perfectly. There was a downed tree with a beautiful swirling pattern in its trunk. There were also the first spring flower blossoms and various dried seed pods. Remnants of last year's flooding and patterns in the sand along the river were also intriguing. Ultimately, when I came home and examined my photographs, I settled on some river rocks I captured right on the banks of the Cache La Poudre River.

Cache La Poudre River Rocks

What attracted me to the rocks while at the river were the interesting colors and shapes, but when I started the work on the abstraction exercise on my tablet (again using ArtRage 4), I decided just to create a line drawing and then disregard the original photo reference entirely. I gave myself a head start with the palette by choosing a harmonizing color for the background. I thought maybe if I wasn't painting on a white background, I would have some sort of direction or that instinct would take over.

Once I had the line drawing on the turquoise background, I had to start getting some color down. I think maybe I was trying to avoid the topic of the stones all together and so I concentrated on the negative space between them, with the warmest colors in the palette to ground the cool turquoise with which I had begun.

Then, I kind of just kept painting until I couldn't find anymore to do with it. I tried to channel my inner child, not thinking too much about meaning or anything like that, just making the shapes, color and texture pleasing to me.

Abstract #4

Abstract Monday #3

As promised last week, I have completed the abstract work I began for Abstract Monday #2.

I had picked out a palette inspired by some art in the waiting room at the physical therapy office, but I had saved that palette on my tablet. In an attempt to try to make some art that would print well larger than 5"x7" or 8"x10" I decided to make this piece on my laptop. I didn't transfer the palette over.

So, I've already broken rules 1-3 (which were just guidelines anyway).

I sat in the gallery a few days in March, and in the gallery is this enormous begonia plant. I found the colors on the stems and leaves really entrancing, and so I snapped some reference photos of it, thinking it might make a fun abstraction sometime down the road.

But, as the busy weekend progressed, I hadn't been lured by other shapes. I'm sure they were there, it's just that I was too busy to notice. So when Monday rolled around, I was playing catch-up on a number of fronts, leaving my abstraction exercise for the late hours of the day. And that begonia was still on my mind.

I found the version of ArtRage that was on my Samsung tablet to be very intuitive. Most of the settings carry over to the laptop version, so I didn't have to learn too much to get started. However, I found that the palette knife was kind of difficult to control on the laptop version. Palette knives, in real life, have an edge, and on the laptop version of ArtRage, using my Wacom Intuos Tablet, I found it difficult to control the directionality of the knife edge starting out with every stroke. Ultimately, I discovered that it mattered a lot less if I used a smaller palette knife. Using smaller tools, of course, on a larger canvas, means that getting to the end takes a lot more time.

Generally when I am painting in either oil or watercolor, I like to start with a big brush and work to a smaller brush. So, that's how I started Begonia. What I posted last week was essentially a small view of blocking in the large shapes of color with a big brush and big palette knife. So, this weekend I shrank down my tools and got to work on the details.

Here is the result I got using ArtRage 4 on my laptop. The final dimensions of the work are 4800x3047 pixels, so at 300 dpi that would print 16x10". My art reproduction guy likes to print from 200-300 dpi, so depending on the art, it might print up to 24x15" decently.

Begonia, Digital Art by Amy Lewark

One of my artist friends has proposed that we do a weekly digital art challenge, as he would also like to increase his skills in the digital realm. I have a lot of art in the hopper right now, so I told him it's likely mine will either be abstract or figurative (I have been taking my tablet to Tuesday night figure sessions). Each week I am doing this abstract challenge, I go to a figure study session, I work on a studio oil painting (I have two in the works right now), and I try to paint with a local plein air group on Fridays. That's usually the one that takes the hit, depending on the location they have selected, the weather, if I am scheduled to sit in the gallery, or how busy I have been earlier in the week. But I think I can commit to making one piece of art each week on the computer. So far, I'm ahead on the digital front, and behind on everything else.

Abstract Monday #2

This week, I really wanted to figure out how to get the kind of result I got on my Samsung Galaxy Note Pro 12.2 tablet last week at higher resolution. I had the evenings for the last few nights to play around with the Wacom tablet I have that is attached to my laptop. The Wacom tablet came with a few different software packages, including an older version of ArtRage which didn't have some of the capabilities of the Android version I had been using on my Samsung Tablet for the last month or so.

A new version of ArtRage (ArtRage 4) had been released in November 2014, which has even more capabilities, so I decided to upgrade. ArtRage 4 will allow printing up to 58 x 48 cm at 300dpi,* whereas the maximum resolution of the Android version is 2048x2048 pixels.

I got kind of a late start on my art last night and today, and wanted to take full advantage of the increased resolution with ArtRage 4.0, so my piece is still not finished. It's a challenge working on a bigger "canvas" with nearly four times the size; filling up the screen on the Samsung tablet took less time. But, I figured I could post a sneak peak of a part of the painting (and the sneak peak is definitely abstract).

*Just now I tried putting in 7200 x 7200 pixels at 300 dpi for a new canvas on ArtRage 4, which it let me create. That would make a 24 x 24 in print. The painting I started here is around 4000 x 3000 pixels, which would make a 13.3 x 10 inch print at 300 dpi.

Abstract Monday #1

For the last year I have concentrated a lot more on making art. I participate in weekly figurative study sessions, and with some regularity I do plein air painting with other artists. During a local group's plein air session last Friday, I was invited to participate in an "Abstract Challenge" by artists Nelia Harper and Alisha Lee Jeffers. Here are the rules, according to Nelia:

Right now, the only 'rule' is post your creation by the end of Monday.

Some guidelines - should you choose to use them:

1. Keep it small

2. Pick a color palette before you start - can be based on anything you want

3. Keep it simple and don't spend much time on it (1-2 hours?) think of it as a warm-up/exercise

4. Post your painting and color inspiration on your blog

My two favorite exercises during my college painting class were on abstraction and choosing color palettes, so on Friday, I agreed to participate with no hesitation. At the time, I knew I would be sitting in the gallery on Saturday so I was hoping to think about it some while there. But, alas, the gallery was very busy, so I had to postpone my thinking on the subject to Sunday.

I knew right away where I would get my palette. I took an abstract photo at a museum on a visit to Southern California, and I've always loved the colors that were reflected on the thousands of hanging metal discs in that photo.

I brought the photo into my tablet version of ArtRage Studio, and used the color picker to make a palette for my piece of art. At this point, I still wasn't sure if I was going to head down to the studio and create something physically, or if I was going to try my hand at digital abstraction.

Once I had the palette, I still needed inspiration for some shapes.

I had just a few hours on Sunday after the kids finally stumbled out of bed to head over to the Loveland Museum/Gallery with my son to enjoy the Xylem exhibit before it closed. To my delight, there were plenty of examples of abstraction in the exhibit, and I found my metal-inspired palette in several pieces in the exhibit. (As an aside, I really loved that exhibit... it may be my favorite of all the ones I have seen at the Museum).

Upon returning home, I knew I needed to start getting some shapes onto paper or... something. I was headed down to the studio when I noticed the roses my husband bought last week catching the sunlight coming in through the bay window. I like to get a lot of my photographic references for botanicals at dusk or dawn when the petals have an ethereal glow. The roses had opened nicely, and I didn't want to miss the chance. I pushed the vase over into the window and started snapping photos. I had the stems jammed down into some glass rocks to help keep the arrangement in place, and the sunlight was illuminating the rocks and stems in an interesting way, so I captured a few photos of that as well, figuring I would quickly upload the photos and see if any of them were worthy of this abstraction exercise.

I took about a dozen photos of the bottom part of the vase, and decided two of them had an interesting enough composition they might work out as an abstraction... but with the palette I had selected? I wasn't sure. I decided to import the photo into ArtRage, make a sketch on a toned canvas, and do a proof of concept... on the sofa.

First I tried using the "wax pastels," and I really didn't like the result. My intention was to use the oils as I had been playing around with them during the figure study session a few weeks ago, and it was pretty fun. So, I started anew with my rust-colored toned "canvas" and went to work with the "oil paint." I futzed around with it for quite a while before deciding to go to bed.

For some reason on Mondays I freak out about all the stuff I didn't accomplish over the weekend. So, I spent most of the day doing laundry, making doctor's appointments, paying bills, and doing other paperwork I had been putting off for some time. And, I also read about time management in a book I have about making a business as a professional artist. I really know how to procrastinate, don't I?

In the evening I went with my son to a painting demo which was given by Lani Vlaanderen, a local artist. She spoke a lot about composition, and what she had learned from reading Juliette Aristides' book Classical Painting Atelier: A Contemporary Guide to Traditional Studio Practice. I learned some things I didn't know (or maybe I knew them subconsciously, but now I understand in a more concrete fashion). I planned to go home and check my experimental abstraction against the "rules" Lani mentioned in her talk, but when I got home I opened up my tablet, looked at it, and felt pleased enough to take it to the end zone.

And, here's the result... Abstract #1:

Maybe next week's abstraction will be checked against the compositional "rules."

Alisha and Nelia are planning to auction off their creations on DailyPaintWorks.com. I'm not sure how that will work for this digital work, so I guess I have something else to learn! That's how I like it.

So, a big thanks to Nelia and Alisha for inviting me to participate in this challenge.